Translate PDF. Each has a vastly different relationship with food, which extends from the types of ingredients they use to how they talk about and prepare meals.
Whereas Lillien exemplifies restraint, guilt, and synthetic substitutions in her relationship with food, Lawson embodies pleasure and indulgence in consuming food as well as the female form.
Lawson infuses sensuality into cooking through a highly sexualized persona that focuses on her ample cleavage and extreme physicality when cooking. Originating as an Internet logo, Hungry Girl is not shown cooking, but represents the nonthreatening, healthy, fun lifestyle put forth by Lilien. Lillien advocates for the pleasure of eating without guilt, but doesn't acknowledge the larger issues that associate eating with guilt to begin with.
Premiering in January , the Hungry Girl television show replicates the tone and easy low calorie recipes and tips for grocery shopping and eating in restaurants Lillien offers in her daily email service and cookbooks. Moreover, she encourages prepackaged ingredients over fresh flavors. Lillien feeds into diet marketing advocating the use of certain products but ignores their potential health risks or the benefits of using real ingredients in moderation.
Throughout her various media enterprises, brand named products matter, and Lillien outwardly states her preferences for products like Laughing Cow cheese wedges and Fiber One cereal. In the shopping portion of the show, Lillien features mainstream branded products with the words on the labels omitted. However, the color and design of the packaging clearly allows viewers to know her preferences.
Within the show, the time Lillien spends making the recipes seems to approximate how quick and easy they are for viewer at home to recreate. Moreover, there are extremely rough transitions between recipes and segments, which creates a disjointed frenzied pace.
Furthermore, this editing choice also suggests that eating is an activity one needs to get through rather than savor and enjoy. Throughout all segments of the show, Lillien is shown alone and prepares single serving recipes.
This suggests intimacy between Lillien and her viewers, but also that cooking and eating are isolated endeavors mapped onto particular individuals. It inherently underscores that she is merely substituting and approximating for foods that may taste better rather than offering or introducing different ways of eating. Moreover, isolating Lillien and the viewer from communal cooking and eating also reinforces the hidden effort women need to exert in order to balance indulgence and pleasure with the societal pressure to look a certain way as representative of beauty and health.
Whereas Lillien advocates restraint in her relationship to food, for Lawson, a pleasurable experience trumps everything else. Lawson is aware of her sexualized image and capitalizes on it. It has to, if you want, [to] arouse appetite. Despite her visual appeal to male viewers, her warm personality appeals to female viewers, especially when she speaks about her family , and constantly striving to juggle domestic and work responsibilities. This strategy allows female viewers to relate to Lawson and in turn replicate her persona with her recipes.
Nigella Kitchen also differs radically from Hungry Girl as its central focus is on cooking. Whereas Lillien packs her show with segments, Lawson allows viewers time and space to take pleasure in looking at her and her food throughout its creation. For example, Lawson speaks slowly and the camera lingers on the food as she prepares and serves it. Moreover, Nigella Kitchen removes Lawson from the frame entirely as it focuses on images of the example dishes.
In addition to smoothly describing food to viewers, the lighting and atmosphere of the show presents Lawson and her kitchen in warm soft light accentuated with white Christmas lights , which makes her and the food looks richer than Lillien does in the harsh bright lighting on the soundstage. She frequently features fresh, high quality ingredients, suggesting that viewers also need to procure the highest quality ingredients to best replicate what they see.
The list is sorted by which names were used the most. Every page in the PDF has 75 names. Just flip through the pages like a book on your phone. After going through the first 60 pages, I selected 48 potential names to use. After the first 60 pages of 7, names, they become mostly alternate spellings.
People these days LOVE to spell their baby names differently to be unique. What years to pick? The Social Security office has lists going back to The 20s are a fun decade. And for some odd reason sounds especially fun. That list has 10, names. The PDF has 10, names. After looking through the and list, I found that those years also have their fair share of alternate spellings, but not early as many as But really odd is that there are a lot of boy names in these older lists.
Perhaps these names were considered unisex in that era.
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